异端

Di^dier Ko*) ni%ng)`?s’ sim@%me:rin?@g mediaeval horror $Witt;)^(e W$:+ieven e$,x  plor%es t])he confluenc`e of @^religion and patriarchy i @n an exce*#s[%sive!^`ly ,puritanica.=)l.( Dutch village.@# Bla)m $ed by her :;community for being childles++s, Fried?,a i=mme:.r#ses herself? in prayer @! and ri!)tual. [When she retur^n@,s@: un_/([s/  c =_athed from the forbidden f)o(rest su@[:#rround@ing th`e village, havi!?ng e.#vaded a l#,
?ech;
e+*rous ^butch^er,;--+ she %-^is ;co@nde
mned as an ag?ent of the devil. F-ri(eda,$ how;%;ever, finds new f;$@aith^ in=( the dark pow;;e/ r/`s that in$[?habit the woods.　　Shot #i` n a reduce/d colour palet,te _at t !he e ^dge of v;isibil @ity, K!%onings’ =`gripp$ing=% film constr ucts *;$a convincing pre-modern society w_] hose practices it e;lucidates:[ w.:.ith patience$ and attention. Altho*u#gh se@%\t in th^, e.@: Middle Ages, _Witte Wieven dis-plays an unmistakabl# y contemporary spirit, cra;;-ftin g a femin\ist parabl==e abou] t w#!`_omen disco,ver-=ing new wa\ys of un`\$;derstand\?(ing]^=) their live
s and the worl
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